Today was reading Dr Maria Syldan on kashmiri shaivism and found this article
Sanskrit, Sound and Manifestation:
The origins of Sanskrit are lost in time, and it is said to be the oldest language. Rick Briggs, a scientist for NASA working on artificial intelligence (AI), analyzed the Sanskrit language. He found that, although it had been a living spoken language for almost 1000 years, unlike modern languages, its logical construction was essentially that of computer machine language, very applicable to AI. Briggs concluded that: “much of the work in the field of AI is reinventing a wheel millennia old” (Briggs, 1985).
Physics and cosmology are based in large part on mathematical theory and equations, as many of the phenomena that they describe and understand are not usually easily physically observable. One major contemporary theory even puts forth the notion that our external physical reality is a mathematical structure (Tegmark, 2008). Interestingly, a number of early scholars of Sanskrit and the History of Mathematics indicate that Sanskrit is algebraic – to the point of suggesting that Sanskrit is the original basis of algebra, with linear, simultaneous and indeterminate equations (Joseph, 2011).
The literal ‘vibration’ of the Sanskrit phonemes (speech sounds reflected in spoken utterance) and its impact upon all the levels of consciousness of those who use (speak, hear, read) Sanskrit – are said to be more important and more powerful than the meaning of the words that are conveyed to the mind and intellect. Results of investigations by Western science methods in this area seem to corroborate this notion by demonstrating that the sounds of Sanskrit phonemes have a literal, physical effect upon an object exposed to them.
Ernst Chladni was probably the first to make sound visible. Later work by Dr. Hans Jenny, Albert Tomatis and others explored the possible interactions between sound and form, or matter. Some of the research involved the use of Sanskrit phonemes.
One of their findings is illustrated with the example of an image made on a plate covered with a thin layer of sand. Vibrating this sand-covered plate with the sound of the audible Sanskrit syllable, OM, resulted in the creation of a sri yantra – a sacred mandala figure – in the thin layer of sand on top of the plate. Such a demonstration of the creative ability of sound is a microcosmic manifestation of what Kashmir Shaivism describes as the macrocosmic, Universal Manifestation.
In one sense, then, the physical Universe can be seen as manifesting through vibrational phenomena dependent upon a mathematically-based set ofsounds (Sanskrit alphabet) that come together to form a particular language (Sanskrit) – language being inherent in speech. Therefore, the model of Manifestation of the Universe is depicted in terms not only of vibrational principles, or a “that-ness” (called ‘tattva’ in Sanskrit), but also in terms of levels of speech (vak).
The relationship between manifestation and speech can also be seen from a somewhat different perspective, as put forth by the great sage of Kashmir Shaivism, Abhinavagupta: The Divine Consciousness is identical with the Supreme Word (Para-vak) and hence every letter or word is derived from, and ultimately inseparable from, this Consciousness. “She (the Supreme Vak) is, in the most initial stage, stationed in the Divine I-consciousness (Ultimate Reality) which is the highest mantra and which is not limited by space and time.” … Therefore the analysis of language is inseparable from that of consciousness (Singh, 2002).
- See more at: http://scienceandnonduality.com/
One more article on same subject
Shiva Sutra 2.7 – Matrikacakra
Sanskrit, Sound and Manifestation:
The origins of Sanskrit are lost in time, and it is said to be the oldest language. Rick Briggs, a scientist for NASA working on artificial intelligence (AI), analyzed the Sanskrit language. He found that, although it had been a living spoken language for almost 1000 years, unlike modern languages, its logical construction was essentially that of computer machine language, very applicable to AI. Briggs concluded that: “much of the work in the field of AI is reinventing a wheel millennia old” (Briggs, 1985).
Physics and cosmology are based in large part on mathematical theory and equations, as many of the phenomena that they describe and understand are not usually easily physically observable. One major contemporary theory even puts forth the notion that our external physical reality is a mathematical structure (Tegmark, 2008). Interestingly, a number of early scholars of Sanskrit and the History of Mathematics indicate that Sanskrit is algebraic – to the point of suggesting that Sanskrit is the original basis of algebra, with linear, simultaneous and indeterminate equations (Joseph, 2011).
The literal ‘vibration’ of the Sanskrit phonemes (speech sounds reflected in spoken utterance) and its impact upon all the levels of consciousness of those who use (speak, hear, read) Sanskrit – are said to be more important and more powerful than the meaning of the words that are conveyed to the mind and intellect. Results of investigations by Western science methods in this area seem to corroborate this notion by demonstrating that the sounds of Sanskrit phonemes have a literal, physical effect upon an object exposed to them.
Ernst Chladni was probably the first to make sound visible. Later work by Dr. Hans Jenny, Albert Tomatis and others explored the possible interactions between sound and form, or matter. Some of the research involved the use of Sanskrit phonemes.
One of their findings is illustrated with the example of an image made on a plate covered with a thin layer of sand. Vibrating this sand-covered plate with the sound of the audible Sanskrit syllable, OM, resulted in the creation of a sri yantra – a sacred mandala figure – in the thin layer of sand on top of the plate. Such a demonstration of the creative ability of sound is a microcosmic manifestation of what Kashmir Shaivism describes as the macrocosmic, Universal Manifestation.
In one sense, then, the physical Universe can be seen as manifesting through vibrational phenomena dependent upon a mathematically-based set ofsounds (Sanskrit alphabet) that come together to form a particular language (Sanskrit) – language being inherent in speech. Therefore, the model of Manifestation of the Universe is depicted in terms not only of vibrational principles, or a “that-ness” (called ‘tattva’ in Sanskrit), but also in terms of levels of speech (vak).
The relationship between manifestation and speech can also be seen from a somewhat different perspective, as put forth by the great sage of Kashmir Shaivism, Abhinavagupta: The Divine Consciousness is identical with the Supreme Word (Para-vak) and hence every letter or word is derived from, and ultimately inseparable from, this Consciousness. “She (the Supreme Vak) is, in the most initial stage, stationed in the Divine I-consciousness (Ultimate Reality) which is the highest mantra and which is not limited by space and time.” … Therefore the analysis of language is inseparable from that of consciousness (Singh, 2002).
- See more at: http://scienceandnonduality.com/
One more article on same subject
Shiva Sutra 2.7 – Matrikacakra
The Theory of Letters that Expand the Universe & Quantum Reality
It is said that enlightenment will dawn on those who understand the mechanics of the Matrikacakra. Therefore we may be motivated to study elemental powers and their correlations to the Sanskrit letters, which produce the splendid sacred waveforms that create our universe.
Matrikacakra theory precisely explains how the Sanskrit alphabet as root-vibration brings about the expansion of the entire universe, the temporal illusory hologram. Matrika is the hidden mother - the creative energy that generates the external world from subtle to gross. She is ‘hidden’ because she remains unknown to us when we are lost in our desires, forgetting who we are.
“Matrika Shakti is the power of sound that is the matrix of the cosmos, and manifests as the letters of the alphabet. Matrika is the subtle force behind thought and speech. [Chetanananda].”
Swami Lakshmanjoo says that this knowledge can only be attained by the grace of the master. I agree, as the Matrikacakra theory is profoundly elaborate, encompassing the entire process of manifestation - and in reverse, the dissolution of the external holographic universe. A trusted teacher who has mastered this knowledge would be infinitely valuable.
For those who wish to pursue this knowledge with more diligence, beyond the explanation in the Shiva Sutras:
1. Abhinavagupta also assures us that the process of learning the theory of Matrikacakra will bring enlightenment and liberation from our self-deluded state of repeating births & deaths. In the introduction to his superlative treatise, the Para-Trishika-Vivarana, Abhinavagupta says:
“The aim or purpose of the Shastra (teaching) is liberation of all experients…who have become entitled for the unsurpassable (anuttara)…and unification with perfect I-consciousness [the Oneness], which is the delightful flash of one’s own essential Self and is the achievement of one who by realization of his essential nature regards the entire multitude of categories of existence, supposed to be bondage, as mere different aspects of his sportfulness which is the expression of the abundance of his delight.”
I will not go through the entire theory, but here is a short introduction with some beginning thoughts. The existence of the entire universe is encoded within the 50 letters of the Sanskrit alphabet.
The universe is made up of 36 elements known as TATTVAS in Sanskrit. The universe begins with the Shiva tattva. The fact that Shiva is here identified as an element/tattva, in my view, points to Shiva - who is often personified for the purpose of communicating timeless wisdom - as a metaphysical principle, the element/tattva that contains all the other elements. The 50 (Devanagari) letters in Sanskrit represent these 36 elements.
The Tantraloka and Paratrisika, elucidates the Shiva tattva: “The first movement of supreme I-consciousness is unparalleled undifferentiated totality. And when it moves forward with the intention of creating His glory in the external world, it takes the formation of Bliss (ananda).”
Tattva means ‘thatness’ or principle, reality; it is the very being of a thing. Shiva represents the Oneness, the element (tattva) that contains all the other elements within it. There is only the One.
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